Exhibitor listing
Berry Campbell
530 W 24th Street
New York, NY 10011
United States
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E-mail address :
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Website : http://www.berrycampbell.com
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Exhibitor's Artists:
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Edward Avedisian
Biography : An artist who mixed the hot colors of Pop Art with the cool, more analytical qualities of Color Field painting, Edward Avedisian was among the leading figures to emerge in the New York art world in the 1960s. Along with his contemporaries, including Jules Olitski, Kenneth Noland, Walter Darby Bannard, Dan Christensen, Ron Davis, and Larry Poons, he was instrumental in the exploration of new abstract methods to explore the primacy of optical experience, breaking from the tactility of Abstract Expressionism. He was included in the landmark exhibitions, Op Art: The Responsive Eye, held at the Museum of Modern Art in 1965, and Expo 67, held in Montreal. He showed at the prominent Hansa (1958-59) and Elkon (1960-75) galleries and participated in four annuals at the Whitney Museum of American Art. Through the early 1970s, works such as his “beach balls,” “seedlike orbs,” and “stripes with splashes” were prominently featured in Artforum (including the magazine’s cover in January 1969), Artnews, and Arts magazines. After leaving New York City in the mid-1970s for Hudson, New York, he shifted his attention to figurative images, painting his surroundings in an expressionist style compared by critics to the work of the Fauves, Marsden Hartley, and Paula Modersohn-Becker. In the 1970s, he created colorful abstract sculptures out of Styrofoam. Avedisian was born in Lowell, Massachusetts and attended the School of the Museum of Fine Arts, Boston. His first exhibition was in 1957, at the Boylston Print Center Gallery, Cambridge, Massachusetts. After moving to New York City in about that time, he joined the dynamic art scene in Greenwich Village, frequenting the Cedar Tavern on Tenth Street, associating with the critic Clement Greenberg, and joining a new generation of abstract artists who were exploring the limits and possibilities of art by experimenting with new techniques and ways of organizing pictorial space. In 1958, he was the last new member invited Exhibition : Born, 1936 Lowell, Massachusetts
Boston Museum School
1969, University of Kansas, Artist-in-Residence
1970, School of Visual Arts, NY, Artist-in-Residence
1972, University of California, Irvine, Artist-in-Residence
1973, University of California, Los Angeles, Artist-in-Residence
Died, 2007 Hudson, NY
AWARDS
1967, Guggenheim Foundation Fellowship
1968, National Council of the Arts Award
SOLO EXHIBITIONS
Hoylston Print Center Gallery, Cambridge, Massachusetts, 1957.
Tibor de Nagy, New York, 1957.
Hansa Gallery, New York, 1958.
Tibor de Nagy, New York, 1959.
Tibor de Nagy, New York, 1960.
Robert Elkon Gallery, New York, 1962.
Robert Elkon Gallery, New York, 1963.
Galerie Ziegler, Zurich, Switzerland, 1964.
Robert Elkon Gallery, New York, 1964.
Kasmin Limited, London, 1965.
Nicholas Wilder Gallery, Los Angeles, California, 1965.
Robert Elkon Gallery, New York, 1965.
1966 Kasmin Limited, London, 1966.
Nicholas Wilder Gallery, Los Angeles, California, 1966.
Robert Elkon Gallery, New York, 1966.
Kasmin Limited, London, 1967.
Robert Elkon Gallery, New York, 1967.
Nicholas Wilder Gallery, Los Angeles, California, 1968.
Robert Elkon Gallery, New York, 1968.
Nicholas Wilder Gallery, Los Angeles, 1969.
Bucknell University Art Gallery, Lewisburg, Pennsylvania, 1970.
Robert Elkon Gallery, New York, 1970.
Jack Glenn Gallery, Corona del Mar, California, 1971.
Walter Moos Gallery, Toronto, 1971.
Robert Elkon Gallery, New York, 1971.
Robert Elkon Gallery, New York, 1972.
Janie C. Lee Gallery, Houston, Texas, 1974.
Robert Elkon Gallery, New York, 1974.
The Carriage House, Buffalo, New York, 1975.
Robert Elkon Gallery, New York, 1975.
Gray Art Gallery, New York, 1977.
The Carriage House, New York, 1978.
Nina Freudenheim Gallery, Buffalo, New York, 1978.
Fishbach Gallery, New York, 1979.
Jason McCoy Inc., New York, 1984.
Carrie Haddad Gallery, Hudson, New York, 1995.
Mitchell Algus, New York, 1996.
Mitchell Algus, New York, 1999.
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Walter Darby Bannard
Exhibition : Born, 1934 New Haven, Connecticut
1956, Princeton University
1983, National Endowment for the Arts, Invitational Residency
AWARDS
1968, Guggenheim Foundation Fellowship
1968, National Foundation of the Arts Award
1981, Distinguished Classmate Award, Princeton University Class of 1956
1986, Francis J. Greenburger Foundation Award
1991, Richard A. Florsheim Art Fund Grant
SOLO EXHIBITIONS
Kasmin Gallery, London, 1965.
Richard Feigen Gallery, Chicago, 1965.
Tibor de Nagy Gallery, New York 1965.
Tibor de Nagy Gallery, New York, 1966.
Nicholas Wilder Gallery, Los Angeles, 1967.
Tibor de Nagy Gallery, New York, 1967.
Kasmin Gallery, London, 1968.
Tibor de Nagy Gallery, New York, 1968.
Bennington College, Vermont, 1969.
David Mirvish Gallery, Toronto, 1969.
David Mirvish Gallery, Toronto, 1970.
Joseph Helman Gallery, St. Louis, Missouri, 1970.
Kasmin Gallery, London, 1970.
Lawrence Rubin Gallery, New York, 1970.
Tibor de Nagy Gallery, New York, 1970.
Neuendorf Gallery, Cologne, Germany, 1971.
Kasmin Gallery, London, 1972.
Newport Harbor Art Museum, Newport Beach, California, 1972.
Lawrence Rubin Gallery, New York, 1972.
Baltimore Museum of Art (High Museum, Atlanta, Georgia; Houston Museum of Art, Texas) 1973.
Lawrence Rubin Gallery, New York, 1973.
Pasadena Art Museum, 1973.
Knoedler Contemporary Art, New York, 1974.
David Mirvish Gallery, Toronto, 1975.
Knoedler Contemporary Art, New York, 1975.
Knoedler Contemporary Art, New York, 1976.
Greenberg Gallery, St. Louis, Missouri, 1977.
Knoedler Contemporary Art, New York, 1977.
Lamont Gallery, Phillips Exeter Academy, Exeter, New Hampshire, 1977.
David Mirvish Gallery, Toronto, 1978.
Knoedler Contemporary Art, New York, 1978.
Knoedler Contemporary Art, New York, 1979.
Miami University, Oxford, Ohio, 1979.
Knoedler Contemporary Art, New York, 1980.
Ulrich Art Museum, Wichita State University, 1980.
Knoedler Contemporary Art, New York, 1981.
Knoedler Contemporary Art, New Yo
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Frank Bowling
Exhibition : 1936, born Bartica, Essequibo, British Guiana
1959, Regent Street Polytechnic, Chelsea School of Art, London
1962, MFA, Royal College of Art, London (silver medal)
Lives in both London and Brooklyn, New York
SOLO EXHIBITIONS
Grabowski Gallery, London, 1962.
Grabowski Gallery, London, 1963.
Terry Dintenfass, New York, 1966.
Whitney Museum of American Art, New York, 1971.
Noah Goldowsky Gallery, New York, 1973.
Gallery Center for Inter-American Relations, New York, 1973 – 74.
Noah Goldowsky Gallery, New York, 1974.
Tibor de Nagy Gallery, New York, 1975.
William Darby Gallery, London, 1976.
Watson/de Nagy and Company, Houston, 1976.
William Darby Gallery, London, 1977.
Acme Gallery, London, Selected Paintings 1976-77, 1977.
Polytechnic Art Gallery, Newcastle upon Tyne, England, Frank Bowling Retrospective, 1978.
Tibor de Nagy Gallery, New York, 1979.
Tibor de Nagy Gallery, New York, 1980.
Vecu, Antwerp, Belgium, 1981.
Tibor de Nagy Gallery, New York, 1982.
Tibor de Nagy Gallery, New York, 1983.
Arcade Gallery, Harrogate, England, 1986.
Serpentine Gallery, London, 1986.
Tibor de Nagy Gallery, New York, 1986.
Castlefield Gallery, Manchester, England, 1988.
Crawford Art Gallery, Cork, Ireland, 1988.
Municipal Art Gallery, Limerick, Ireland, 1988.
Tibor de Nagy Gallery, New York, 1989.
University Art Gallery, Reading, England, Bowling Through the Decade, 1989.
The Royal West of England Academy, Bristol, 1990.
Wilmer Jennings at Kenkeleba, New York, 1991.
Heimatmuseum, Eckernforde, Schleswig Hoistein, Germany, 1993.
National Academy of Sciences, Washington, DC, 1993.
Bill Hodges Gallery, New York, 1995.
The Cut Gallery, London, 1995.
Leicester City Gallery, Leicester, England (traveled to six various locations), Bowling Through the Century, 1996 .
Camille Love Gallery, Atlanta, Georgia, 1997.
Center for Art & Culture, Skylight Gallery, Brooklyn, 1997.
Christiane Nienaber Gallery, New York, 1997.
The Cut Gallery, London, 1997.
DE
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Stanley Boxer
Exhibition : Born, 1926 New York
Died, 2000 New York
AWARDS
1975, Guggenheim Fellowship
1989, National Endowment for the Arts Visual Artist Grant
1992, Elected to the National Academy of Design
1993, Elected to National Academy of Design as Full Member
1997, Print Club of New York Print Commission
2004, Arts Award for Lifetime Achievement & Contribution to the Cultural Life of Columbia County
SOLO EXHIBITIONS
Perdalma Gallery, New York, 1953.
Perdalma Gallery, New York, 1954.
Perdalma Gallery, New York, 1955.
Grand Central Moderns Gallery, New York, 1965.
University of Manitoba, Canada, Western Canadian Art Circuit, 1967.
Loeb Center, New York University, 1968.
Rose Fried Gallery, New York, 1968.
University of Manitoba, Canada, Western Canadian Art Circuit, 1968.
Rose Fried Gallery, New York, 1969.
University of Manitoba, Canada, Western Canadian Art Circuit, 1969.
Tibor de Nagy Gallery, New York, 1971.
Benson Gallery, Bridgehampton, Long Island, New York, 1972.
Santa Barbara Museum, Santa Barbara, California, 1972.
Tibor de Nagy Gallery, New York, 1972.
Tom Bortolazzo Gallery, Santa Barbara, California, 1972.
Galerie Karl Flinker, Paris, 1973.
Lubin House, Syracuse University, New York, 1973.
McNay Museum, San Antonio, Texas, 1973.
Tibor de Nagy Gallery, New York, 1973.
Tibor de Nagy Gallery, New York, 1974.
Tibor de Nagy Gallery (Watson/de Nagy & Co.), Houston, Texas, 1974.
André Emmerich Gallery, New York, 1975.
Beaumont Museum, Beaumont, Texas, 1975.
Everson Museum of Art, Syracuse, New York, 1975.
Galerie André Emmerich, Zurich, Switzerland, 1975.
Galerie Wentzel, Hamburg, Germany, 1975.
Tibor de Nagy Gallery, New York, 1975.
André Emmerich Gallery, New York, 1976.
Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, 1976.
Watson/de Nagy & Co., Houston, Texas, 1976.
André Emmerich Gallery, New York, 1977.
Boston Museum of Fine Arts, Boston, Massachusetts, 1977.
Edmonton Art Gallery Museum, Edmonton, Canada, 19 Also represented by: Sponder Gallery,
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Dan Christensen
Exhibition : 1942, born Cozad, Nebraska
2007, died East Hampton, New York
1964, BFA, Kansas City Art Institute, Missouri
SOLO EXHIBITIONS
Noah Goldowsky Gallery, New York, 1967.
Galerie Ricke, Cologne, Germany, 1968.
Noah Goldowsky Gallery, New York, 1968.
Andre Emmerich Gallery, New York, 1969.
Nicholas Wilder Gallery, Los Angeles, 1970.
Andre Emmerich Gallery, New York, 1971.
Galerie Ricke, Cologne, Germany, 1971.
Andre Emmerich Gallery, New York, 1972.
Nicholas Wilder Gallery, Los Angeles, 1972.
Edmonton Art Gallery, Edmonton, Alberta, 1973.
Andre Emmerich Gallery, New York, 1974.
Greenberg Gallery, St. Louis, Missouri, 1974.
Jared Sable Gallery, Toronto, Ontario, 1974.
Rothman’s Art Gallery, Stratford, Ontario, 1974.
Andre Emmerich Gallery, New York, 1975.
Andre Emmerich Gallery, New York, 1976.
Douglas Drake Gallery, New York, Kansas City, Missouri, 1976.
Watson/ de Nagy Gallery, Houston, 1976.
B.R. Kornblatt Gallery, Baltimore, Maryland, 1977.
Douglas Drake Gallery, Kansas City, Missouri, 1978.
Gloria Luria Gallery, Miami, 1978.
Meredith Long Contemporary Gallery, New York, 1978.
Meredith Long Gallery, Houston, 1978.
Douglas Drake Gallery, Kansas City, Missouri, 1979.
Meredith Long Gallery, Houston, 1979.
Meredith Long Gallery, New York, 1979.
Douglas Drake Gallery, Kansas City, Missouri, 1980.
Meredith Long Gallery, Houston, 1980.
Meredith Long Gallery, New York, 1980.
University of Nebraska, Omaha, 1980.
Douglas Drake Gallery, Kansas City, Missouri, 1981.
Gallery 700, Milwaukee, Wisconsin, 1981.
Gloria Luria Gallery, Miami, 1981.
Harcus Krakow Gallery, Boston, 1981.
Meredith Long and Company, Houston, 1981.
Salander-O’Reilly Galleries, Inc., New York, 1981.
Douglas Drake Gallery, Kansas City, Missouri, 1982.
Ivory/Klimpton Gallery, San Francisco, 1982.
Salander-O’Reilly Galleries, Inc, New York, 1982.
Carson-Sapiro Gallery, Denver, Colorado, 1983.
Lincoln Center Gallery, New York, 1983.
Salander-O’Reilly Galleries, I
Also exhibited by: Sponder Gallery,
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Eric Dever
Exhibition : SOLO EXHIBITIONS
Cloître des Billettes, Paris, Moments Ephémères, 1991.
Hudson River Museum, Hastings on the Hudson, New York, Meditations, 1991.
ARC Gallery, Chicago, La Comédie Humaine, 1994.
Coleman Gallery, Albuquerque, New Mexico, 1995.
Nicholas Davies Gallery, New York, Le Désert de Retz et Parc Monceau, 1997.
Everything is Everything, Brooklyn, 4 Funerals and 2 Follies, 1998.
Centre d’Art et de Rencontres, Château d’Escueillens, Saint-Just en Bellengard, France, Diamonds and Rust, 2004.
White Room, Soho House, New York, East End Paintings, 2004.
Sara Nightingale Gallery, Water Mill, New York, Perennial Histories, 2005.
Sara Nightingale Gallery, Shelter Island, New York, White Paintings 2007-9, 2009.
Sara Nightingale Gallery, Water Mill, New York, Black as White, 2011.
Sara Nightingale Gallery, Water Mill, New York, s.Ram: Red White and Black Paintings, 2012.
GROUP EXHIBITIONS
PS 122, New York, Out of Landscape, 1990.
Art in General, New York, Salon Show, 1992.
Renée Fotouhi Gallery East, East Hampton, New York, 1992.
Catskill Gallery, Catskill, New York, View from Olana: A Survey of Contemporary Landscape Art, 1993.
Eastern New Mexico University, Portales, Scene and Unscene, 1993.
Renée Fotouhi Gallery East, East Hampton, New York, 1993.
Spaces, Cleveland, Ohio, History Painting, 1993.
Coleman Gallery, Albuquerque, New Mexico, 1994.
ACME Art Co., Columbus, Ohio, 1995.
Renée Fotouhi Gallery East, East Hampton, New York, 1995.
Coleman Gallery, Albuquerque, New Mexico, 1996.
Coleman Gallery, Albuquerque, New Mexico, 1997.
Coleman Gallery, Albuquerque, New Mexico, 1998.
Sculpture Center, New York, 1999.
The Buddy Holly Center, Lubbock, Texas, Y2-Klay, 2000.
Gallery 402, New York, 2001.
Elaine Benson Gallery, Bridgehampton, New York, 2002.
Gallery 402, New York, 2003.
Mark Borghi Fine Art, Bridgehampton, New York, 2004.
Sara Nightingale Gallery, Water Mill, New York, 2004.
Sara Nightingale Gallery, Water Mill, New Y
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John Goodyear
Exhibition : John Goodyear
b. 1930, Los Angeles, California
1952, Bachelor of Design, University of Michigan
1954, Master of Design, University of Michigan
1956-62, Instructor, University of Michigan
1962-64, Instructor, University of Massachusetts, Amerst
1964-97, Professor of Art, Rutgers University, New Jersey
SOLO EXHIBITIONS
Amel Gallery, New York City, 1964.
Amel Gallery, New York City, 1965.
Amel Gallery, New York City, e1966.
Douglass College Art Gallery, Rutgers University, New Brunswick, New Jersey, 1967.
Andrew Dickson White Museum, Cornell University, Ithaca, New York, 1972.
Everson Museum, Syracuse University, New York, 1972.
Allegheny College, Meadville, Pennsylvania, 1972.
Inhibodress Gallery, Sydney, Australia, 1972.
New Jersey State Museum, Trenton, 1975.
Center of Advanced Visual Studies, Massachusetts Institute of Technology, Cambridge, Massachusetts, 1976.
Addison Gallery of American Art, Andover, Massachusetts, 1976.
Slusser Gallery, University of Michigan, Ann Arbor, 1981.
New Jersey State Museum, Trenton, 1981.
Princeton Gallery of Fine Arts, New Jersey, 1987.
Pyramid Gallery, New York City, 1989.
Snyder Fine Art, New York City, 1992.
Jersey City Museum, New Jersey, 1993.
Frank Martin Gallery, Muhlenburg College, Allentown, Pennsylvania, 1995.
Ericson Gallery, Philadelphia, Pennsylvania, 2000.
Michener Museum, Doylestwon, Pennsylvania, 2000.
Ben Shahn Galleries, William Paterson University, Wayne, New Jersey, 2001.
Gallery of Fine Art, Newtown, Pennsylvania, 2004.
Hunterdon Museum of Art, Clinton, New Jersey, 2005.
New Jersey Center for the Arts, Summit, New Jersey, 2012.
GROUP EXHIBITIONS
Martha Jackson Gallery, New York City, New Forms-New Media I and II, 1960.
Northeastern University, Boston, Massachusetts, New England Art Today, 1962.
University of Massachusetts, Amherst, Faculty Art Exhibition, 1965.
Howard Wise Gallery, New York City, On the Move, 1965.
Albright-Knox Gallery, Buffalo, New Y
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Ken Greenleaf
Exhibition : SOLO EXHIBITIONS
LoGiudice Gallery, New York, 1973.
Tibor de Nagy Gallery, New York, 1973.
Walter Kelly Gallery, Chicago, 1973.
Tibor de Nagy Gallery, New York, 1974.
Watson/ de Nagy Gallery, Houston, 1974.
Tibor de Nagy Gallery, New York, 1976.
B.R. Kornblatt Gallery, Baltimore, 1977.
Tibor de Nagy Gallery, New York, 1978.
Barridoff Gallery, Portland, Maine, 1980.
Tibor de Nagy Gallery, New York, 1980.
Tibor de Nagy Gallery, New York, 1981.
Harry Lebau Jewish Center, Union, New Jersey, Monumental Sculpture Series, 1983.
Sculptor’s Guild Outdoors, New York, 1985.
John Davis Gallery, New York, 1987.
John Davis Gallery, New York, 1989.
Stark Gallery, New York, 1990.
Gleason Fine Art, Boothbay Harbor, Maine, 1992.
Stark Gallery, New York, 1992.
O’Farrell Gallery, Brunswick, Maine, 1994.
Gold/Smith Gallery, Charcoal Drawing, Boothbay Harbor, Maine, 2009.
Caldbeck Gallery, Rockland, Maine, 2010.
June Fitzpatrick Gallery, Portland, Maine, Drawing the Line, 2011.
Center for Contemporary Art, Rockport, Maine, Intercept, 2012.
GROUP EXHIBITIONS
The Art Institute of Chicago, 1972.
LoGiudice Gallery, New York, 1972.
Whitney Museum of American Art, New York, Biennial: Contemporary American Painting and Sculpture, 1973.
Indianapolis Museum of Art, Indiana, Painting and Sculpture Today, 1974.
The Museum of Fine Art, Houston, Geometry, 1974.
South Houston Gallery, New York, American International Sculpture Symposium, 1974.
Whitney Museum of American Art, New York, Recent Acquisitions, 1974.
Sculpture Now Gallery, New York, 1975.
Indianapolis Museum of Art, Indiana, Painting and Sculpture Today, 1976.
Maine Coast Artists, Rockport, Maine, 1976.
Water Street Gallery, Damariscotta, Maine, 1977.
Mint Museum of Art, Charlotte, North Carolina, Selected Works from the Tibor de Nagy Gallery, 1978.
Weatherspoon Gallery, Albright-Knox Gallery, Buffalo, New York, Art on Paper, 1978.
Nassau Museum of Fine Art, Port Washington, New York, Sculpture at
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Raymond Hendler
Exhibition : 1923, Born Philadelphia, Pennsylvania
1998, Died East Hampton, New York
1951, Academie de la Grande Chaumiere, Paris
1954, University of Pennsylvania, Philadelphia
SOLO EXHIBITIONS
Galerie Huit, Paris, 1951.
Dubin Galleries, Philadelphia, 1952.
Hendler Galleries, Philadelphia, 1953.
Moore College of Art, Philadelphia, 1955.
Minneapolis Institute of Art, Minnesota, 1959.
Rose Fried Gallery, New York, 1962.
Rose Fried Gallery, New York, 1964.
Art Gallery, Pratt Institute, Brooklyn, 1965.
Rose Fried Gallery, New York, 1967.
Gallery 118, Minneapolis, Minnesota, 1970.
St. John University, Collegeville, Minnesota, 1974.
Art Lending Gallery, Minneapolis, Minnesota, 1975.
Minneapolis College of Art and Design, Minnesota, 1976.
Medici-Berenson Gallery, Miami, 1980.
Medici-Berenson Gallery, Miami, 1981.
Marc Miller Gallery, East Hampton, New York, 1996.
Gallery Rood, Eastport, New York, 2000.
Gallery Rood, Eastport, New York, 2001.
Gallery Rood, Eastport, New York, 2002.
Gallery Rood, Eastport, New York, 2003.
Gallery Rood, Eastport, New York, 2004.
Katharina Rich Perlow Gallery, New York, 2008.
GROUP EXHIBITIONS
Newark Gallery, Invitational, New Jersey, 1949.
Galerie Huit, Paris, 1950.
Musee D’Art Moderne, Invitational, Paris, 1950.
Pennsylvania Academy of Fine Art, Philadelphia, 1952.
Camino Gallery, Invitational, New York, 1953.
Cheltenman Art Center, Philadelphia, Pennsylvania, 1953.
Stable Gallery, Invitational, New York, 1953.
Art Center of Victoria, British Columbia, Canada, 1954.
Camino Gallery, Invitational, New York, 1954.
University of New Mexico, Albuquerque, 1954.
Edmonton Museum of Art, Alberta, Canada, 1955.
March Gallery, Invitational, New York, 1955.
Mercersburg Academy, Pennsylvania, 1955.
Mills College, Oakland, California, 1955.
Pennsylvania Academy of Art, Philadelphia, 1955.
Philadelphia Museum of Art, Pennsylvania, 1955.
Washington County Museum, Hagerstown, Maryland, 1955.
Calgary Allied Art Center, Al
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Paul Jenkins
Exhibition : Born, 1923, Kansas City, Missouri
1937-43, Kansas City Art Institute
1948-52, Art Students League with Yasuo Kuniyoshi and Morris Kantor
Died, 2012, New York, New York
SOLO EXHIBITIONS
Studio Paul Facchetti, Paris, 1954.
Zimmergalerie Franck, Frankfort am Main, 1954.
Zoe Dusanne Gallery, Seattle, Washington, 1955.
Martha Jackson Gallery, New York, 1956.
Galerie Stadler, Paris, 1957.
Martha Jackson Gallery, New York, 1958.
Galerie Stadler, Paris, 1959.
Arthur Tooth & Sons, London, 1960.
Martha Jackson Gallery, New York, 1960.
Esther Robles Gallery, Los Angeles, 1960.
Galerie d’Art Moderne, Stuttgart, 1960.
Galerie Karl Flinker, Paris, 1961.
Martha Jackson Gallery, New York, 1961.
University Gallery, University of Minnesota, Minneapolis, 1961.
Esther Robles Gallery, Los Angeles, 1962.
Galerie Karl Flinker, Paris, 1962.
Galerie Lienhard, Zurich, 1962.
Galleria Odyssia, Rome, 1962.
Kolnischer Kunstverein, Cologne, 1962.
Toninelli Arte Moderna, Milan, 1962.
Arthur Tooth & Sons, London, 1963.
Galerie Karl Flinker, Paris, 1963.
Gallery Moos, Toronto, 1963.
American Art Gallery, Copenhagen, 1964.
Kestner-Gesellschaft, Hanover, 1964.
Kumar Gallery, New Delhi, 1964.
Martha Jackson Gallery, New York, 1964.
Tokyo Gallery, Tokyo, 1964.
Court Gallery, Copenhagen, Denmark, 1965.
Galerie Karl Flinker, Paris, 1965
Gallery of Modern Art, Scottsdale, 1965.
Gertrude Kasle Gallery, Detroit, 1965.
Arthur Tooth & Sons, London, 1966.
Galerie Agnes LeFort, Montreal, 1966.
Hope Makler Gallery, Philadelphia, 1966.
Martha Jackson Gallery, New York, 1966.
Galerie Daniel Gervis, Paris, 1968.
Gallery Moos, Toronto, 1968.
Galerie Raber, Lucerne, 1968.
Martha Jackson Gallery, New York, 1968.
Martha Jackson Gallery, New York, 1969.
Gertrude Kasle Gallery, Detroit, 1970.
Martha Jackson Gallery, New York, 1970.
Martha Jackson Gallery, New York, 1971.
Museum of Fine Arts, Houston, 1971.
Richard Gray Gallery, Chicago, 1971.
Abrams Original Edition
Also exhibited by: Jonathan Novak Contemporary Art,
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Jodie Manasevit
Exhibition : 1951, born, Bridgeport, Connecticut
1983, B.S. City University of New York
1985, M.F.A., Hunter College, New York
SOLO EXHIBITIONS
Jersey City Museum, New Jersey, 1989.
White Columns, New York, 1989.
Condeso Lawler, New York, 1991.
Condeso Lawler, New York, 1995.
Eich Space, New York, 1998.
Diacono Fine Art, Boston, Brash Strokes, 2002.
Roger Williams University, Bristol, Rhode Island, Paving/Painting, 2003.
Worcester Art Museum, Massachusetts, Just Painting, 2005.
Diacono Fine Arts, Boston, Turbulence, 2006.
GROUP EXHIBITIONS
Hunter College, New York, 1980.
Hoboken Art Gallery, New Jersey, Exploration of Light, 1981.
City University of New York, 1983.
Summit Art Center, New Jersey, 35 Arists, 1983.
Fellowship Exhibition, Hunterdon Art Center, Clinton, New Jersey, 1984.
Four Walls, Hoboken, New Jersey, 1984.
22 Wooster Street Gallery, New York, 1986.
Aurora Gallery, Closter, New Jersey, Form and Substance, 1987.
Drew University, Madison, New Jersey, Working Drawings, 1987.
Rutgers University, Madison, New Jersey, Edge and Syntax, 1987.
White Columns, New York, Four Corners of Abstract Painting, 1987.
Anne Plumb, New York, Painting, 1988.
White Coluns, New York, International Gala Invitational (curated by Bill Arning), 1988.
Korn Gallery, Drew University, Madison, New Jersey, Marks and Silences, 1988.
Jersey City Museum, New Jersey, 1988.
Condeso Lawler, New York, Climate 1989, 1989.
Hunter College, New York, The Persistence of Painting (curated by Vincent Longo), 1989.
White Columns, New York, 1989.
Hartwick College, Oneonta, New York, The Landscape in Question, 1990.
Condeso Lawler, New York, Three Artists/Three Dimensions, 1993.
Mario Diacano, Boston, Rites of Paint, 1995.
Mario Diacono, Boston, The Material of Shadows, 1996.
Boston Center for the Arts, The Drawing Show, 1997.
Condeso Lawler, New York, Index on Abstraction, 1997.
Eich Space, New York, Franklin Fest, 1997.
Eich Space, New York, Peeling a Grape, 1997.
That
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Stephen Pace
Exhibition : 1918, born Charleston, Missouri
2010, died New Harmony, Indiana
SOLO EXHIBITIONS
Meeting Room of Rappite Men’s Dormitory, New Harmony, Indiana, 1939.
Bosse High School, Evansville, Indiana, 1945.
University of Indiana, Bloomington, 1946.
Danforth Memorial Library, Charleston, Missouri, 1948.
Hendler Gallery, Philadelphia, 1953.
Artists Gallery, New York, 1954.
HCE Gallery, Provincetown, Massachusetts, 1956.
Poindexter Gallery, New York, 1956.
Poindexter Gallery, New York, 1957.
HCE Gallery, Provincetown, Massachusetts, 1958.
HCE Gallery, Provincetown, Massachusetts, 1959.
Washington University, St. Louis, Missouri, 1959.
Dilexi Gallery, San Francisco, 1960.
Holland Goldowksy Gallery, Chicago, 1960.
Howard Wise Gallery, Cleveland, Ohio, 1960.
Howard Wise Gallery, New York, 1960.
Dwan Gallery, Los Angeles, Stephen Pace: Paintings, 1961.
The Hayden Gallery, Cambridge, Massachusetts, 1961.
HCE Gallery, Provincetown, Massachusetts, 1961.
Howard Wise Gallery, New York, 1961.
HCE Gallery, Provincetown, Massachusetts, 1962.
Chicago Arts Club, 1962.
HCE Gallery, Provincetown, Massachusetts, 1963.
Howard Wise Gallery, New York, 1963.
Howard Wise Gallery, New York, 1965.
HCE Gallery, Provincetown, Massachusetts, 1966.
Ridler Gallery, Evansville, Indiana, 1966.
University Art Museum, University of California, Berkeley, 1968.
Graham Gallery, New York, 1969.
Des Moines Art Center, Iowa, 1970.
University of Texas Art Museum, Austin, 1970.
Charlotte Crosby Kemper Gallery, Kansas City, Missouri, 1973.
Kansas City Art Institute, Missouri, 1973.
Maine Coast Artists, Rockport, 1973.
A.M. Sachs Gallery, New York, 1974.
College Art Gallery, Drew University, Madison, New Jersey, 1975.
Deer Isle Art Association, Maine, 1975.
Proctor Art Center, Bard College, Annandale-on-Hudson, New York, 1975.
A.M. Sachs Gallery, New York, 1976.
Polo Gallery, Georgetown, Washington, DC, 1976.
Watkins Art Gallery, American University, Washington, DC, 1976.
N
Also exhibited by: Vincent Vallarino Fine Art, McCormick Gallery, Abby M. Taylor Fine Art LLC,
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William Perehudoff
Exhibition : 1918, Born Saskatoon, Saskatchewan
2013, Died Saskatoon, Saskatchewan
1948 – 49, Studied at Colorado Springs Fine Arts Center, Colorado
1950 – 51, Studied at Ozenfant School of Fine Arts, New York
1968, Attended Carnegie Institute of Technology
SELECTED SOLO EXHIBITIONS
Saskatoon Arts Centre, Saskatchewan, 1948.
Saskatoon Arts Centre, Saskatchewan, 1950.
Saskatoon Arts Centre, Saskatchewan, 1961.
Regina Public Library, Saskatchewan, 1961.
The Mendel Art Gallery, Saskatoon, Saskatchewan, 1965.
Regina Public Library, Saskatchewan, 1965.
Bonli Gallery, Toronto, 1967.
The Mendel Art Gallery, Saskatoon, Saskatchewan, 1970.
Edmonton Art Gallery, Alberta (traveled to Dunlop Art Gallery, Regina, Saskatchewan), 1971 – 72.
Noah Goldowsky Gallery, New York, 1974.
Saskatoon Public Library, Saskatchewan, 1974.
Theo Waddington Galleries, Montreal, 1974.
Noah Goldowsky Gallery, New York, 1976.
Waddington-Tooth Gallery, London, 1976.
Theo Waddington Galleries, Montreal, 1977.
Glenbow Alberta Institute, Calgary, 1977 – 78.
Banff Fine Art Centre Gallery, Edmonton, 1978.
Gallery One, Saskatoon, Saskatchewan, 1978.
Meredith Long Contemporary Gallery, New York, 1978.
University of Alberta Art Gallery, Edmonton, 1978.
Waddington Gallery, Toronto, 1978.
Theo Waddington Galleries, Montreal, 1979.
Theo Waddington Gallery, London, 1979.
Downstairs Gallery, Edmonton, Alberta, 1980.
Meredith Long Contemporary Gallery, New York, 1980.
Waddington Gallery, Toronto, 1980.
Canadian Art Galleries, Calgary, Alberta, 1981.
Mendel Art Gallery, Saskatoon, Saskatchewan (traveled to various locations in Canada), catalogue by Karen Wilkin, 1981 – 83.
Downstairs Gallery, Edmonton, Alberta, 1982.
Waddington Galleries, New York, 1982.
Waddington Shiell Gallery, Toronto, 1982.
The Gallery / Art Placement Inc., Saskatoon, Saskatchewan, 1983.
Waddington Shiell Gallery, Toronto, 1983.
Waddington Shiell Gallery, Toronto, 1985.
Woltjen Udell Gallery, Edmonton, Al
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Ann Purcell
Exhibition : 1971, Independent Study, San Miguel de Allende, Mexico
1973, BA, Corcoran School of Art and George Washington University, Washington, DC
1995, MA in Liberal Studies, New York University
SOLO EXHIBITIONS
Villa Roma Gallery, San Miguel de Allende, Mexico, 1971.
Corcoran Gallery of Art, Washington DC, 1976.
Pyramid Galleries, Washington, DC, 1978.
Tibor de Nagy Gallery, New York, 1978.
Dart Gallery, Chicago, 1979.
Tibor de Nagy Gallery, New York, 1980.
Osuna Gallery, Washington, DC, 1981.
Hokin Gallery, Chicago, 1982.
Group Gallery, Provincetown, Massachusetts, 1983.
Osuna Gallery, Washington, DC, 1983.
Tibor de Nagy Gallery, New York, 1983.
Massimo Gallery, Provincetown, Massachusetts, 1984.
Osuna Gallery, Washington, DC, 1985.
Jack Shainman Gallery, Provincetown, Massachusetts, 1985.
Reynold C. Kerr Gallery, New York, 1985.
Jack Shainman Gallery, Provincetown, Massachusetts, 1986.
Philip Dash Gallery, New York, 1986.
Osuna Gallery, Washington, DC, 1987.
Philip Dash Gallery, New York, 1989.
Philip Dash Gallery, New York, 1993.
Philip Dash Gallery, New York, 1997.
Philip Dash Gallery, New York, 1998.
Philip Dash Gallery, New York, 1999.
Hokin Gallery, Palm Beach, Florida, 2001.
Hokin Gallery Bay Harbor Island, Miami, 2002.
Middendorf & Co. Gallery, London, 2002.
Tilghman Gallery, Boca Raton, Florida, 2002.
Rotunda Gallery, Brooklyn, 2007.
Osuna Art, Bethesda-Chevy Chase, Maryland, 2008.
Miwa, New York, 2008 – 09.
GROUP EXHIBITIONS
Misrachi Gallery, Mexico City, 1971.
Corcoran Gallery of Art, Washington, DC, Nineteenth Area Exhibition, 1974.
State Department, US Information Agency, Washington, DC, American Embassies in the Middle East, 1974 – 76.
Corcoran Gallery of Art, Washington, DC, Corcoran Faculty, 1976.
Gallery #641, Washington, DC, New York/Washington, 1976.
Inland-Foundry Exhibition, Washington, DC, 1976.
Pyramid Galleries, Washington, DC, Two-Person Drawing Exhibit, 1976.
Rutgers University, New Brunswick, New
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Edwin Ruda
Biography : Edwin Ruda holds a unique place in the development of abstract art in the late twentieth century. By contrast with many artists who did not step beyond a stylistic boundary, he consistently and purposefully explored the linkages, incongruities, and connections between minimalism and the modes of geometric and lyrical abstraction. The result is a body of work characterized by elegant and radiant resolutions of the seemingly contradictory. In 1973, Peter Schjeldahl stated in a New York Times review that the best of Ruda’s paintings attained “a level of practically spiritual elevation.” Schjeldahl went on to state that it was precisely due to this quality that Ruda’s works seemed “out of step with their Soho context,” concluding that they “‘belong’ to no Zeitgeist, only to the art of painting.” In the early 1960s, Ruda was a leading figure in the Park Place Group, the model for the activist and cooperative galleries that followed, and his art was featured in many of the most significant exhibitions of American abstraction from the 1960s through the 1990s. Ruda was born in New York City and grew up in the East Bronx. After graduating from high school, he entered the School of Agriculture at Cornell University. His studies were interrupted at the end of his sophomore year when he enrolled in the navy during World War II. In 1945, after serving a three-year tour of duty in the Southwest Pacific, he returned to Cornell on the G.I. Bill, completing his course work in biological sciences and studying figurative drawing. He received his bachelor’s of science from Cornell in 1947 and subsequently returned to Manhattan, where he enrolled in art classes at The New School for Social Research. There, Adja Yunkers was among the teachers he found to be the most stimulating. In 1948, with the continued help of the G.I. Bill, he entered Teachers College, Columbia University, where he received a Master of Arts degree in 1949. In the three years that
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Syd Solomon
Exhibition : b. 1917, Uniontown, Pennsylvania
1935-38, Studied at Art Institute of Chicago
AWARDS
Bronze Star for his contributions in the Battle of the Bulge
1961, Painting of the Year Award, Whitney Museum of Fine Art
SOLO EXHIBITIONS
Farnham Castle, Surrey, England, War Drawings, 1944.
Clearwater Museum of Art, Florida, 1951.
Lowe Art Gallery, University of Miami, Coral Gables, Florida, 1953.
Associated American Artists Galleries, New York, 1955.
Florida Gulf Coast Art Center, Clearwater, 1956.
Saidenberg Gallery, New York, 1959.
Safari Gallery, Jerusalem, Israel, 1960.
Tel Aviv Museum, Israel, 1960.
331 Gallery, New Orleans, Louisiana, 1960.
Frank H. McChung Museum, University of Tennessee, Knoxville, 1961.
Sarasota Art Association, Civic Center, Florida, 1961.
Saidenberg Gallery, New York, 1962.
James David Gallery, Ltd., Miami Beach, Florida, 1964.
Group Gallery, Inc., Jacksonville, Florida, 1964.
St. Armands Gallery, Sarasota, Florida, 1966.
James David Gallery, Ltd., Miami Beach Florida, 1966.
Saidenberg Gallery, New York, 1967.
Jacksonville University, Florida, 1968.
Berenson Gallery, Miami, Florida, 1969.
Saidberg Gallery, New York, 1969.
Midtown Gallery, Atlanta, Georgia, 1971.
Hokin Gallery, Palm Beach, Florida, 1973.
New York Cultural Center, New York, Retrospective Exhibition, 1973-4.
John and Mabel Ringling Museum of Art, Sarasota, Florida, Retrospective Exhibition, 1973-4.
Berenson Gallery, Miami, Florida, 1974.
Florida Gulf Coast Art Center, Bellair, 1975.
Benson Gallery, Bridgehampton, New York, 1975.
Museum of Art, Fort Lauderdale, Florida, New Works, 1975.
Carone Gallery, Fort Lauderdale, Florida, 1976.
Tampa Bay Art Center, Florida, 1976.
University of West Florida, Pensacola, Florida, 1977.
Boca Raton Center for the Arts, Florida, Recent Painting, 1977.
Harmon Gallery, Naples, Florida, 1977.
Adley Gallery, Sarasota, Florida, 1978.
Art and Culture Center of Hollywood, Florida, 1978.
Adley Gallery, Sarasota, Flo
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Albert Stadler
Biography : A leading figure in the rise of color abstraction in the mid-1960s, Albert Stadler addressed the nature of optical experience in his art. In the catalogue for his first solo exhibition, held at Bennington College in 1962, he stated that he saw his canvases as invitations “for the viewer to participate in events, in the activity of color and the relativity of space.” For Stadler, “space . . . and the freedom of the eye to roam” were essential. He enhanced this experience in his art through “deliberate variations.” These were intended “to illuminate and elucidate all parts of a painting,” while allowing viewers the opportunity to find their own way through an image. In an era when artists often intended their paintings to be seen only from a distance, Stadler gave an old master attention to the entirety of his surfaces, enabling them to be read with equal appreciation at close and far ranges. Creating both hard-edge and more ethereal paintings, Stadler united directions in Color Field and Minimalist art, often bridging the gap between the intellectual and sensual and the conceptual and spiritual. Representing Stadler’s estate, Berry-Campbell is pleased to bring this significant body of work to light. Born in New York City, Stadler attended the University of Pennsylvania and received his BFA from the University of Florida, Gainesville, in 1950. His first solo exhibition was held in 1962 at Bennington College, Vermont; it was among the important shows of modernist art organized at the college by art department director Paul Feeley (David Smith, Adolph Gottlieb, and Hans Hoffman were other artists whose work was showcased at Bennington under Feeley’s leadership). The Bennington Banner reported on September 26 that, consisting of canvases of varying sizes by “a young painter from New York,” Stadler’s show provided “visual pleasure [and] sensuous stimulation . . . if one can let the eye enjoy what it sees.” In 1964, Stadler was included Exhibition : b. 1923, New York City
1942, Undergraduate, University of Pennsylvania, Philadelphia
1946-50, Bachelor of Fine Art, University of Florida, Gainesville
1950, Teaching Assistant, University of Florida, Gainesville
1982-84, Adjunct Professor, Hunter College, New York
1985, Visiting Professor, Hunter College, New York
AWARDS
1968, Guggenheim Fellow
1980, Purchase Award, National Print Exhibition, Trenton State College, New Jersey
1981, Andrew/Nelson/Whitehead Award, The Print Club 56 Annual, Philadelphia, Pennsylvania
SOLO EXHIBITIONS
Bennington College, Vermont, 1962.
Kasmin Ltd., London, England, 1964.
Pointexter Gallery, New York City, 1964.
Pointexter Gallery, New York City, 1965.
Kasmin Ltd., London, England, 1966.
Pointexter Gallery, New York City, 1968.
Pointexter Gallery, New York City, 1970.
Gertrude Kasle Gallery, Detroid, Michigan, 1972.
Pyramid Gallery, Washington, DC, 1972.
Fishbach Gallery, New York City, 1973.
Pointexter Gallery, New York City, 1974.
Pointexter Gallery, New York City, 1975.
GROUP EXHIBITIONS
Gallery of Modern Art, Washington, DC, 1964.
Dayton Art Institute, Dayton, Ohio, 1964.
Los Angeles County Museum of Art, California, Post Painterly Abstraction, 1964.
Contemporary Arts Museum of Houston, Texas, Dealer’s Choice: An Exhibition of Paintings, Drawings, and Prints, 1964.
Art Institute of Chicago, Illinois, 1965.
Detroit Institute of Art, Michigan, Color, Image, and Form, 1967.
Whitney Museum of Art, New York City, Annual Exhibition of Contemporary American Painting, 1967.
The White House, Washington, DC, The White House Arts Program, 1967-70.
Albright-Knox Gallery, Buffalo, New York, Color and Field, 1970.
University Art Museum, University of Texas, Austin, Color Form, 1971.
Corcoran Gallery of Art, Washington, DC, Biennial Exhibition of Contemporary American Painting, 1973.
Corcoran Gallery of Art, Washington, DC, Biennial Exhibition of Contemporary American Painting, 1975.
The Brooklyn
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Susan Vecsey
Exhibition : Born 1971, Somerville, NJ.
Lives and works in New York City and East Hampton, NY.
EDUCATION
MFA New York Studio School of Drawing, Painting & Sculpture.
Study with Graham Nickson.
BA Barnard College, Columbia University.
Continuing Study MoMA, The New School, International Center of Photography.
SOLO EXHIBITIONS and SELECTED TWO OR FOUR PERSON EXHIBITIONS
2014 Berry Campbell Gallery. New York, NY. Dates TBA. 2010 Spanierman Gallery. “Susan Vecsey, Recent Paintings”. New York, NY.2009 Spanierman Gallery. "Light of Spring”, featuring artists Priscilla Bowden, Deborah Black, Ty Stroudsburg, Susan Vecsey. 2008 Ashawagh Hall. “Susan Vecsey, New Paintings”. East Hampton, NY.
SELECTED GROUP EXHIBITIONS:
2014 Guild Hall Museum. "75th Annual Guild Hall Artist Members Exhibition". East Hampton, NY.
2013 Spanierman Modern. "Modern Selections". New York, NY. Guild Hall Museum. “First Impressions: Printmaking with Solarplates”. East Hampton, NY. Guild Hall Museum. “Landscape Selections from the Permanent Collection”. East Hampton, NY. Spanierman Gallery. “Summer Selections”. New York, NY. Holiday House Hamptons, “Great Room”, by Mabley Handler Design. Bridgehampton, NY. Guild Hall Museum. "75th Annual Guild Hall Artist Members Exhibition". East Hampton, NY. Spanierman Modern, “Dripping! Pouring! Staining!”.
Spanierman Gallery, “Landscapes: 1880s to the Present”. New York, NY. Spanierman Modern, “Thirteen Contemporary Artists”. New York, NY.
2012 Spanierman Gallery, "Summer Selections". New York, NY. Spanierman Gallery, "Modern and Contemporary Paintings". New York, NY. Spanierman Gallery, "Artists of the East End: Past & Present". New York, NY. Guild Hall Museum. "74th Annual Guild Hall Artist Members Exhibition". East Hampton, NY. Spanierman Gallery, "Contemporary Artists". New York, NY.
2011 Spanierman Gallery. "Artists of the East End, Part 2". New York, NY. Ash
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James Walsh
Exhibition : b. 1954, Newark, New Jersey
1976, BA, Rutgers University, New Brunswick
1980, MFA, Syracuse University, New York
SOLO EXHIBITIONS
Galeria Joan Prats, New York, 1985.
Galeria Joan Prats, New York, 1988.
Flowers East Gallery, London, 1991.
The Mendel Art Gallery, Saskatoon, Saskatchewan, 1997.
Long Fine Art, New York, 2001.
GROUP EXHIBITIONS
Corning Glass Center, Corning, New York, 11th Annual Southern Tier Show, 1974.
Newark Museum, New Jersey, 1st Biennial, New Jersey Artists, 1977.
Munson-Williams-Proctor Arts Institute, Utica, New York, 42nd Annual Exhibition of Artists of Central New York, 1979.
Everson Museum of Art, Syracuse, New York, The Syracuse Show, 1980.
The Clayworks Studio Workshop, New York, Work from 1980, 1981.
Virginia Polytechnic Institute, Blacksburg, New York Clay, 1981.
Everson Museum of Art, Syracuse, New York (traveled to James Yaw Gallery, Birmingham, Michigan; Nina Freudenheim Gallery, Buffalo, New York; Meyer Breier Weiss Gallery, San Francisco; Adelle Taylor Fine Art, Dallas, Texas; Clayworks Studio Workshop, New York), New Yorks in Clay III, 1981 – 82.
Sculpture Center, New York, East Coast Clay, 1982.
Galeria Joan Prats, Barcelona (traveled to Galeria Joan Prats, New York), Five American Artists, 1983 – 84.
Edmonton Art Gallery, Alberta, Canada, 1985.
Galeria Joan Prats, New York, Another Dimension, 1985.
Richard Brush Art Gallery, St. Lawrence University, New York, Pre-Post Modern: Good Art in the Art of Our Time Canton, 1985.
Greene Street Gallery, New York, Triangle – New York, 1986.
Jerusalem Gallery, New York, New Modernists, 1986.
Ted Greenwald Gallery, New York, Retinal Visions, 1987.
Associated American Artists, New York, New Painting, 1990.
Flowers East, London, Small Is Beautiful – Abstract, 1991.
Flowers East, London, 1992.
Doug Udell Gallery, Edmonton, Alberta, Canada, Group Exhibition, 1998.
55 Mercer, New York, Abstract Eight, 1999.
Long Fine Art, New York, The Painting Aesthetic, 1
Also exhibited by: Sponder Gallery,
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Larry Zox
Exhibition : 1937, born, Des Moines, Iowa
2006, died, Colchester, Connecticut
1955, University of Oklahoma, Oklahoma City, Oklahoma
1956, Drake University, Des Moines, Iowa
1956, Des Moines Art Center (studied with Geoge Grosz)
SOLO EXHIBITIONS
Kornblee Gallery, New York, 1962
Kornblee Gallery, New York, 1964
Kornblee Gallery, New York, 1965
Kornblee Gallery, New York, 1966
JL Hudson Gallery, Detroit, Michigan, 1967
Colgate University, Hamilton, New York, 1968
Galerie Rolf Ricke, Cologne, Germany, 1968
Kornblee Gallery, New York, 1968
Kornblee Gallery, New York, 1969
Hopkins Center, Dartmouth College, Hanover, New Hampshire, 1970
Akron Art Institute, Ohio, 1971
Andre Emmerich Gallery, New York, 1973
Whitney Museum of American Art, New York, 1973
Des Moines Art Center, Des Moines, Iowa, 1974
Janie C. Lee Gallery, Dallas, Texas, 1974
Rush Rhees Gallery, University of Rochester, Rochester, New York, 1974
Andre Emmerich Gallery, New York, 1975
Daniel Templeton Gallery, Paris, 1975
Andre Emmerich Gallery, New York, 1976
Medici-Berenson Gallery, Bay Harbor Islands, Florida, 1978
Allen Rubiner Gallery, Royal Oak, Michigan, 1979
Ivory/Kimpton Gallery, San Francisco, California, 1981
Hokin Gallery, Palm Beach, Florida, 1981
Meredith Long & Co., Houston, Texas, 1981
Salander-O’Reilly Gallery, New York, 1982
Rubiner Gallery, West Bloomfield, Michigan, 1985
Images Gallery, Toledo, Ohio, 1986
Percival Gallery, Des Moines Iowa 1987
Percival Gallery, Des Moines Iowa, 1989
Images Gallery, Toledo, Ohio, 1990
Rubiner Gallery, West Bloomfield, Michigan, 1990
Gallery One, Toronto, Canada, 1991
Percival Gallery, Des Moines, Iowa, 1991
Robert Stein Gallery, St. Louis, Missouri, 1992
Harnett Museum of Art, University of Richmond, Richmond, Virginia, 1993
CS Shulte Gallery, Millburn, New Jersey, 1994
Percival Gallery, Des Moines, Iowa, 1995
Percival Gallery, Des Moines, Iowa, 2000
Olson Larsen Gallery, Des Moines, Iowa, 2002
Olson Larsen Gallery, Des Moi
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ABOUT
BERRY CAMPBELL features Post-War Modern and Contemporary art. Artists include: Edward Avedisian, Walter Darby Bannard, John Goodyear, Raymond Hendler, Stephen Pace, William Perehudoff, Syd Solomon.
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Christine Berry |
Martha Campbell |
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BERRY CAMPBELL features Post-War Modern and Contemporary art with a focus on established and mid-career contemporary artists, including Edward Avedisian, Walter Darby Bannard, Frank Bowling, Eric Dever, John Goodyear, Ken Greenleaf, Raymond Hendler, Jodie Manasevit, Stephen Pace, William Perehudoff, Ann Purcell, Syd Solomon, Susan Vecsey, James Walsh.
BERRY CAMPBELL is a collaboration between Christine Berry and Martha Campbell. Christine Berry began her career at the Modern Art Museum of Fort Worth and then continued onto the Whitney Museum of American Art. Thirteen years ago, she shifted from the non-profit sector to the commercial world. As an art dealer, she worked with some of the world’s foremost public and private collections. Martha Campbell started her career at The Phillips Collection in Washington, DC. She was the director at a major midtown gallery focusing on Modern and Contemporary art.
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